BOOK CLUB: 'Insignificant Others' Reading Guide - 2nd Half

We'll be meeting at Magnet on Tuesday, August 24 at 7:30 pm (that's tonight!) to discuss the last half of Insignificant Others by Stephen McCauley, our official August book club selection. See you all there!

1. Why is Doreen invested in Conrad having an insignificant other? What’s at stake for her?

2. The narrator says men should handcraft their relationships to better suit their needs. Do you think this is makes them psychologically evolved or as Doreen puts it, emotionally cut-off?

3. Richard and Conrad finally have a “little talk” on page 143. The conversation is rather anti-climactic with Conrad saying very little. What does it say about who’s in control and who is desperately trying to keep it together?

4. Why does the narrator put up with his overly sensitive, gossip fueling, religious assistant Anne?

5. What’s more difficult, telling your spouse about an impending surgery or an insignificant other? Why does Richard seem to be the go-to bad news bearer, except in his own life?

6. On page 154, Richard comments that the only way to keep the early affection glowing in a relationship is sadomasochism. Do you agree that we need to negotiate a “safe outlet for the inevitable desire to humiliate and punish the person you love”?

7. How’s Richard a poison and a cure for Benjamin’s sexual craving? Do you think he can be both or is he just a poison and deluding himself to justify his actions?

8. What’s the difference between the Connectrix building Richard works in and the one Benjamin designs, the “profitable traps he’s created for himself” (pg. 172).

9. Towards the end of the novel, the narrator ends his relationship with his insignificant other and freezes his gym membership. Subsequently he begins focusing on the “main event” relationship. What’s the message about monogamy and insignificant others and potentially life-shifting distractions?

BOOK CLUB: 'Insignificant Others' Reading Guide - 1st Half

We'll be meeting at Magnet on Tuesday, August 10 at 7:30 pm (that's tonight!) to discuss the first 120 pages of Insignificant Others by Stephen McCauley, our official August book club selection. See you all there!

1. On page 2, Richard says that he and his partner Conrad have stopped using the word “monogamy,” but continue to say “I love you,” which Richard finds more important. But actions speak louder than words. What actions point to Richard and Conrad’s love, if any?

2. Richard is not as worried about Conrad having an affair with someone from Ohio as he would be if the paramour hailed from New York or Los Angeles. Are gay men from metro areas more menacing? Or is this just a comment on Conrad’s snobby taste?

3. On page 5, Richard talks about Americans undergoing an ego adjustment. What are some concrete examples of this in the book? Conrad and Doreen? Co-worker Brandon? Richard himself?

4. What type of relationship does Richard have with his part-time lover Benjamin’s own significant others (wife and children)?

5. How does Richard’s relationship with Benjamin compare with his relationship with Conrad? Who’s really the insignificant other?

6. On page 68, Richard mentions that he has no problem with acting as long as it’s good acting. Who’s doing the most acting and who’s the best actor in the novel?

7. Expanding on question # 1, on page 85, Richard suggests that love and tenderness kills passion. Love (emotional), passion (sexual), monogamy (loyal) are the usual ingredients of a successful relationship. Is one more important than the other? Can you have two and negotiate the third, as Richard and Conrad have done?

8. Richard tries to convince co-worker Brandon to stay at the company, but Brandon thinks it’s too stable and wants to go play poker in Las Vegas. What does Richard think of this impulsive jump? Who’s Richard’s safe(r) bet – Conrad or Benjamin?

9. Talking to his trainer on page 110, Richard says that “sometimes the most settled lives have the biggest distractions.” Can we ever settle or are we always looking for the next best thing?

10. Ironically, Richard talks about distractions while working out, his small distraction from his bigger distraction (Benjamin). Is he caught in a cycle?

11. Expanding on question # 6, on page 118, Richard states that “self-awareness and confession make up for almost any flaw, in my book.” It’s evident that he doesn’t follow his own ideology. Can we trust a hypocrite narrator? Do his flaws humanize him or did you find them infuriating?

12. At the end of the first half, Richard forms an unlikely alliance with Doreen, the most important woman character in the book and Conrad’s “wife.” Going into the second half, what do you think her motives might be?

Hope you've all enjoyed getting an intimate look at modern day relationship power play. Discussion of the second half of Insignificant Others will be held at Magnet on Tuesday, August 24 at 7:30 pm.

EVENT: Stephen McCauley ('Insignificant Others') & Sebastian Stuart ('The Hour Between')

AUGUST 3 @ 7:30pm
STEPHEN McCAULEY / SEBASTIAN STUART
Insignificant Others / The Hour Between
Free and open to the public
Facebook RSVP

STEPHEN McCAULEY, INSIGNIFICANT OTHERS
Narrator Richard and his partner, Conrad, are a well-adjusted gay couple living in Boston at the end of the American Century in McCauley's adroit latest (after ALTERNATIVES TO SEX). They have an understanding that allows for the occasional infidelity, but when Richard realizes that Conrad's current fling may be luring him away, he begins to worry. It doesn't help that Richard is becoming infatuated with his own insignificant other, Benjamin, who leads a double life as a supposedly happily married father of two. Richard's problems, though, go well beyond his love life, and with a dry, caustic wit and the occasionally weighty social observation, he describes how he's coping with his own exercise addiction, his suspicious sister, a client at work who may or may not be on the brink of going crazy,etc. But it's an unlikely alliance with Conrad's business partner and the slow unraveling of his problems that adds an unexpectedly and refreshingly sentimental dimension to this accomplished comedy.
- Publishers Weekly

SEBASTIAN STUART, THE HOUR BETWEEN
In 1960s Manhattan, Arthur MacDougal has been thrown out of his exclusive prep school and sent off to the Spooner School for the disciplinary challenged in rural Connecticut. Just minutes after his parents speed back to the city, he hits it off with the fragile and quirky Katrina Felt, daughter of a famous show biz couple, who immediately recognizes Arthur's latent gayness. Enter Sapphire, Katrina's roommate, a promiscuous but sweet hippy chick; Nicolas, Arthur's roommate, still dealing with his mother's death; and Lenny, the muscular, snaggle-toothed townie who catches Arthur's eye. Novelist-playwright Stuart sets his fully drawn character loose in a familiar era, but there's nothing quaint or retro about his '60s set; the ubiquitous drugs, the war, the new sense of sexual freedom and the fight against the establishment are pervasive and essential elements. This simple but wholly moving coming-of-age story features a worthy successor to Holden Caulfield coming to grips with what (and who) he cannot change.
- Publishers Weekly

INSIGNIFICANT OTHERS is our August Book Club selection. Sign up for the book club and get 10% off. Magnet Book Club on Facebook.

AUGUST 3 @ 7:30pm
STEPHEN McCAULEY / SEBASTIAN STUART
Insignificant Others / The Hour Between
Free and open to the public
Facebook RSVP